Thank you so much! I love them!
You can find magazines and illustrations on the Sonah Publisher website:https://sonah-verlag.de/
Historical Artworks, Nature and Landscapes
Thank you so much! I love them!
You can find magazines and illustrations on the Sonah Publisher website:https://sonah-verlag.de/
The new illustration for the Magazine "Sonah" features the legendary figure of the "Woman in the Moon," portrayed at the spinning wheel, a character from German folklore once again inspired by the ancient gods. This continues the depiction of legendary figures such as Wodan/Odin, Donar/Thor, Holle/Erda, and others.
As always, I thank Frau Anika Meyer for giving me the opportunity to paint this subject. And of course, I LOVE winter landscapes!
You can find the Magazine and Christmas Cards, along with many other wonderful products on the Sonah publisher's website:
Donar was the Old German name for the Norse god Thor.
Myth, then legend, said he used to race across the skies, unrestrained, in his chariot pulled by two goats. The rumble of thunder was the sound of the chariot, the lightning flashes that flashed in the sky during storms were the sparks emanating from the chariot's wheels, in its mad rush (as well as from his mighty hammer Mjollnir). Tanngnjóstr and Tanngrisnir was the name of the two goats (literally Teeth thin and Teeth grinder in old Norse).
I once again thank Anika Meyer from the bottom of my heart for giving me the honor and pleasure of illustrating such a beautiful subject for her wonderful Magazine "Sonah".
A canopy collapses on the pulpit at the end of a sermon...new illustration for Sandra Rutschi's new story about proverbs. This time it's about "Alle Gute kommt von oben" (All good things come from above). The story is really beautiful and funny, especially in the ending :-)
Thanks as always to Marie-Claire Hofstetter, Torfinn Rothenbuehler and Sandra Rutschi for their trust.
Here is the cover of the autumn issue of Lebenslust Emmental and the illustration for Sandra Rutschi's new short story: "Beauty is in the eye of the beholder".
One of the landscapes I enjoyed painting the most: the English village in summer, surrounded by wheat fields.
A small detail: a blue tit escaping from its shelter among the wheat stalks
My first illustration on prehistory (and on the cover)! A landscape from the prehistoric Carboniferous period (360-300 millions years ago), when the world was dominated by immense forests of giant ferns and horsetails. Oxygen levels were extremely high, and the swamps were traveled by enormous insects and amphibians.
Shown here are two giant Meganeura dragonflies (as large as modern hawks) and a huge two-meter long proterogyrinus like amphibian.
I am so grateful to Anika Meyer for allowing me to illustrate the cover of her beautiful magazine Sonah https://sonah-verlag.de/
The original watercolor and gouache painting on the work table next to the Magazines
Here the two paintings are placed side by side, so that the British Arthurian Foot Soldier (in a coastal landscape reminiscent of the English coast) and the Saracen Foot Soldier appear to confront each (even the ground line of the background almost seems to be one the counterpart of the other, in the two illustrations)
Here are the two small cards.
I take advantage of this space to repost the Illustration "Plague", because, having recently seen the new -beautiful - "Nosferatu" by Robert Eggers, this image came to mind. There are natural analogies, I think, with the part of the film where rats carry the plague and a street in the (fictional) German city of Wisborg is shown.
Even in this illustration, since I love German medieval and Renaissance architecture, I had fun inserting elements typical of half-timbered houses.
This is one of my favorite illustrations and I enjoyed painting it!
For the new story by Sandra Rutschi here is my new illustration: an old house in the architectural style of the Bernese countryside, with a garden and... a blooming rose, hidden behind a rose bush.
It was a special joy to paint this illustration, because it combined my passion for typical architecture with that for cottage gardens. Thanks as always to Marie-Claire Hofstetter, Torfinn Rothenbuehler, and Sandra Rutschi for their trust!
A woodcutter screaming towards a snowy forest: here is the illustration for the new short story by Sandra Rutschi "As you call into the forest, it echoes out". Many thanks to the suggestions and precious Art Direction of Marie-Claire Hofstetter!
The burning castle: I loved this subject! The research on the effects of light in a nocturnal context, the reflection of the flames on the forest, the full moon in the background of a distant landscape, with a silver river flowing in the distance (and castles... I always love them).
I brought these subjects together because I loved working on different lighting effects and details than usual
"Sir Ironside", this is a much more usual historical subject for me: two knights who met in a duel. The chaimail armor and weapons are typical of the 13th century, what was different and what I tried to depict as best as I could was the detailed face in the background. Erik's great tip was to think about old movie posters.
See you soon with a new selection of Arthurian illustrations!
Seeing my Sir Perceval become part of the Cover Art of "Arthurian Legends" was a surprise and a unique emotion. I can never stop thanking Erik and the Sorcery Team enough!